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The Legend of Johnny Lingo is a 2003 film set in Polynesia and directed by Steven Ramirez. It is an extension of the 1969 short film Johnny Lingo that is based on a story by Patricia McGerr.

Plot[edit]

An orphan boy named Tama is adopted by an island chief named Malio who, having no children of his own, intends to raise Tama as his son and heir. However, a string of unlucky incidents causes Malio to conclude that Tama is cursed, and he becomes an outcast, passed from family to family around the island. At one point, a drunk villager, Moki, takes Tama in. He has a daughter named Mahana who is considered ugly by the other islanders. Even though she is ill-treated by her father and the people around her, she remains kind and good and befriends Tama. One day, Tama, disgusted with life in Moki's household and his status as an outcast, decides to leave the island in a canoe he built. Before departing, he promises Mahana that he will come back and care for her.

Caught in a violent storm, Tama drifts ashore on an island which proves to be the home of a well-known and respected Polynesian trader, Johnny Lingo. Though Johnny is kind and welcoming, Tama's years of rejection have made him suspicious, particularly of Johnny's gruff chief steward, and he decides to leave. After stealing jewelry from Johnny's treasury and trying to escape, he is sentenced to work for Johnny for the next seven years to pay off his debt. He invents some simple machines that enable him to finish his work faster and, through his diligence, earns Johnny's respect.

Eight years pass, and Johnny decides that Tama is ready to accompany him to a nearby island to conclude an important trade. During the course of their reception, Tama accidentally offends the people of the island and they take Johnny hostage, demanding payment for Tama's offense. Tama single-handedly navigates back to Johnny's home to obtain a cow from his herd for the ransom, winning the trust of the chief steward in the process. Johnny, Tama, and the chief steward are invited to be the guests of honor at the chief's son's wedding, where Tama learns that he is actually the heir to the chiefdom of a neighboring island. He initially accepts the chiefdom but eventually decides that he is happier working for Johnny. After they return to his home, Johnny confides to Tama that he is dying and leaves to him his name and fortune.

As the new Johnny Lingo, Tama sends the chief steward ahead of him to Malio's island to determine what has happened to Mahana. He then arrives himself, announcing that he intends to choose a bride from among the island's young women. A great feast is planned for that night so that he can meet them all. That night, all are present at the feast except Mahana. Tama goes to Moki's home looking for her, but she meets him on the way and rejects him, not recognizing him as the boy who had left so many years earlier. Later, he meets her again and she tells him that every day for eight years, she has waited at the island's shore for Tama to return, but that she believes he lied about coming back and now hates him. Unwilling to give up, Tama announces that he will barter with Moki to marry Mahana.

At the bartering ceremony, Moki, whose health has deteriorated badly, asks for two cows as Mahana's dowry, which would be the richest dowry in the history of the islands. Tama, however, offers eight cows instead. Mahana is furious, thinking Tama is mocking her, and she storms out of the bartering ceremony. Outside, though, are the eight cows. While Moki rejoices over his new fortune, Mahana confronts Tama, demanding to know why he offered such a high price. Believing that she no longer loves him as Tama and openly hates him as Johnny Lingo, Tama releases her from the bridal agreement and tells her to keep the cows and use the fortune to care for her father. However, Mahana realizes that Tama is wearing the armband she had given him when he left the island as a boy. Finally recognizing him, she feigns anger at his long absence and slaps him, but they then embrace happily. The film concludes with Tama relating the story to a writer, surrounded by his happy family.

Cast[edit]

• George Henare — Johnny Lingo
• Rawiri Paratene — Malio Chief
• Joe Folau — Tama
• Alvin Fitisemanu — Chief Steward
• Kayte Ferguson — Mahana
• Peter Sa'ena-Brown — Miriama's Father
• Hori Ahipene — Pioi
• Jim Perry — Malio Elder
• Sima Urale — Hoku
• Goeretti Chadwick — Malio Seductress
• Tausani Simei-Barton — Young Tama
• Fokikovi Soakimi — Young Mahana

External links[edit]

• The Legend of Johnny Lingo at IMDb

'Get Up, Stand Up' is a song written by Bob Marley and Peter Tosh. It originally appeared on The Wailers' 1973 album Burnin'. It was recorded and played live in numerous versions by Bob Marley and the Wailers, along with solo versions by Peter Tosh and Bunny Wailer. It was later included on the compilations Legend and Rebel Music, as well as live recordings such as Live at the Roxy among others.

In 1973, 'Get Up, Stand Up' peaked at number 33 on the Dutch Top 40.^[1] In 1986, it peaked at number 49 in New Zealand.^[2]

Premise and usage in concerts[edit]

Marley wrote the song while touring Haiti, deeply moved by its poverty and the lives of Haitians, according to his then-girlfriend Esther Anderson.^[3] The song was frequently performed at Marley's concerts, often as the last song. 'Get Up, Stand Up' was also the last song Marley ever performed on stage, on 23 September 1980 at the Stanley Theater, now the Benedum Center in Pittsburgh, Pennsylvania.

On his DVD Live at the Hollywood Bowl, artist Ben Harper relates a childhood experience in which, during a 1978 Bob Marley concert at the Starlight Amphitheater, Peter Tosh showed up unannounced as this song was being performed, took the microphone from Marley and started singing the last verse of the song to thunderous applause. Tosh was on tour opening for the Rolling Stones at the time.

Recordings by the Wailers[edit]

The song was re-recorded and re-released by the three major Wailers on their own solo releases, each with varying arrangements and approaches to the third verse, which claims that 'Almighty God is a living man'. Bob Marley and the Wailers released a Bob Marley only version on Live! in 1975, this version was notable for the 'WO-YO!' refrain after the third verse. Tosh would include his own solo version on his second album, Equal Rights in 1977. Bunny Wailer was the last to release his own version on Protest. This version actually featured Tosh due to his involvement in recording the album before his death.

Covers and remixes[edit]

In 1988, the song was performed live at an Amnesty International Concert for Human Rights by Bruce Springsteen, Sting, Peter Gabriel, Tracy Chapman and Youssou N'Dour.^[4] The 2014 album Songs from a Stolen Spring features a version of the song performed by Glenn Tilbrook of Squeeze fame. The version is meshed with 'Beyond These Doors' by Egyptian singer Dina El Wedidi.^[5] The Ukrainian band Bloom Twins recorded a version in 2014, in support of the Euromaidan protesters occupying Independence Square in Kyiv.^[6]

References[edit]

1. ^'The Wailers – Get Up, Stand Up'. Dutch Top 40. Retrieved 4 July 2013.
2. ^'charts.nz – The Wailers – Get Up Stand Up'. charts.nz. Hung Medien. Retrieved 28 May 2014.
3. ^Genegabus, Jason (20 October 2011). 'HIFF Review: 'Bob Marley: Making of a Legend''. Honolulu Star-Advertiser. Retrieved 7 January 2014.
4. ^Devenish, Colin (11 December 1998). 'Springsteen Joins Superstar Lineup at Amnesty Gig'. MTV. Retrieved 27 July 2015.
5. ^'Songs From a Stolen Spring'. Valley Entertainment. Retrieved 14 November 2014.
6. ^O'Connor, Roisin (15 June 2016). 'New music to listen to this week: Bloom Twins'. The Independent. Retrieved 29 September 2016.

External links[edit]

Johnny Jungle Nz Dvd

• Recording history of Get Up, Stand Up at The 60's Jamaican Music Reference.

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